JESUS SAVES · BINONDO · LAST ROUTE 0

Filipino Contemporary Art · Manila

Celestine
Almendras

Where the saints became screens,
and the poor became pixels.

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Celestine Almendras · Binondo Studio · 2024

About the Artist

A painter of
the in-between

Celestine Almendras was born in Tondo, Manila in 1989, the daughter of a fish vendor and a retired church organist. She studied Fine Arts at the University of Santo Tomas before completing a residency at the Liverpool Biennial in 2015, where she began fusing Social Realism with surrealist iconography drawn from Philippine folk Catholicism.

Her canvases are uncompromising documents of a society in metamorphosis — figures caught between devotion and transaction, between the sacred and the algorithmic. She paints with a quiet ferocity, as if every image is both a confession and an accusation.

Almendras currently maintains her studio in Binondo. Her works are held in private collections across Manila, Singapore, and New York.

BornTondo, Manila · 1989
MediumOil, Acrylic, Mixed Media
EducationBFA — Univ. of Santo Tomas
StudioBinondo, Manila

Artist Statement

I paint the place where the sacred and the mundane eat from the same plate. In the Philippines, the santo and the smartphone exist in the same pocket — both are objects of desire, both promise salvation, both can be lost.

My work is not nostalgia. I am documenting the texture of a country that has learned to survive by holding contradictions with tremendous grace — and tremendous cost.

Every jeepney I paint is also a cathedral. Every laborer’s hand is also a saint’s hand. I want collectors to feel the weight of that equivalence, and then ask themselves who assigned the different price tags.

Selected Works

The Catalogue

2019–2024 · Oil, Acrylic, Mixed Media

0 JESUS SAVES • BINONDO • LAST ROUTE Litany for the Last Jeepney 2024

Litany for the Last Jeepney

2024 · Oil on canvas · 180 × 240 cm

A decommissioned jeepney throne draped in sampaguita garlands, its driver rendered as a hollow saint. The last route number reads zero.

₱ 680,000 — Available

MNL-HKG 09:45 DEPARTED MNL-SGN 11:20 ON TIME MNL-DXB 13:00 ON TIME MNL→HKG 09:45 DEPARTED MNL→SGN 11:20 ON TIME MNL→DXB 13:00 ON TIME The Upload · 2024

The Upload

2024 · Acrylic and digital transfer on linen · 120 × 160 cm

A Filipina domestic worker holds a phone to her ear — on-screen, her child’s face dissolves into a QR code. Distance as devotion.

Sold — Private Collection, Singapore

LOAN ₱5k BAYAD UTANG OVERDUE ₱12,000 Birhen ng Bayad Utang · 2023

Birhen ng Bayad Utang

2023 · Oil on wood panel · 90 × 120 cm

The Virgin is crowned not with stars but with loan receipts. Her expression is exhausted, enduring, and entirely familiar.

₱ 420,000 — Available

Province of the New Rich · 2023

Province of the New Rich

2023 · Acrylic on canvas · 150 × 150 cm

A McMansion rises behind a nipa hut still bearing its last typhoon wound. Both rooftops catch the same rain.

Sold — Private Collection, Manila

SAN SERVIDOR Alay sa Data Center · 2023

Alay sa Data Center

2023 · Mixed media on canvas · 100 × 130 cm

Offerings of fruit and rice arranged before a glowing server rack, as if the algorithm were the newest patron saint of labor.

₱ 380,000 — Available

Portrait of the Middle Class at Mass · 2022

Portrait of the Middle Class at Mass

2022 · Oil on canvas · 200 × 160 cm

Twelve figures in the Trapo family pew. Every phone glows. The priest’s face is the only one unlit, and the only one afraid.

Sold — Private Collection, New York

The Fisherman’s Children Dream of EDSA · 2022

The Fisherman’s Children Dream of EDSA

2022 · Oil on canvas · 160 × 200 cm

Three children sleep on a bancayan, each dreaming a different version of the same highway — one lit, one gridlocked, one underwater.

Sold — National Art Collection, Manila

Simulacra ng Probinsya · 2021

Simulacra ng Probinsya

2021 · Acrylic on raw linen · 120 × 180 cm

A tourist photo of a rural scene being taken inside another photograph, infinitely — until the original is nowhere to be found.

₱ 310,000 — Available

She Carried the House · 2021

She Carried the House

2021 · Oil on canvas · 90 × 120 cm

An OFW walks through an airport with her family home balanced on her head. The house is enormous. She is not struggling.

Sold — Private Collection, Makati

★★★★★ FOODPANDA 4.9★ GD Santo Niño de Gig Economy · 2020

Santo Niño de Gig Economy

2020 · Mixed media, resin, gold leaf · 80 × 100 cm

The Infant Jesus wears a delivery rider’s helmet. His orb has been replaced with a five-star rating. His cape is a thermal bag.

₱ 295,000 — Available

Tondo Baroque · 2019

Tondo Baroque

2019 · Oil on reclaimed wood · 140 × 190 cm

A colonial master’s portrait — the subject is a Tondo teenager, his basketball and court shoes visible beneath the Renaissance drapery.

Sold — Private Collection, Hong Kong

Ningas-Kugon · 2019

Ningas-Kugon

2019 · Oil on canvas · 180 × 240 cm

A field of cogon grass catches fire — from the flames, hands reach upward, neither asking to be saved nor accepting it, just acknowledging the heat.

Sold — Private Collection, Singapore

Available Works

For Acquisition

Select original works available for private purchase. All inquiries handled personally.

Litany for the Last Jeepney

2024 · Oil on canvas · 180 × 240 cm

Asking Price₱ 680,000

Birhen ng Bayad Utang

2023 · Oil on wood panel · 90 × 120 cm

Asking Price₱ 420,000

Alay sa Data Center

2023 · Mixed media on canvas · 100 × 130 cm

Asking Price₱ 380,000

Simulacra ng Probinsya

2021 · Acrylic on raw linen · 120 × 180 cm

Asking Price₱ 310,000
★★★★★FOODPANDA4.9

Santo Niño de Gig Economy

2020 · Mixed media, resin, gold leaf · 80 × 100 cm

Asking Price₱ 295,000

All available works include certificate of authenticity and provenance documentation.

Exhibition History

In Exhibition

2024

Between the Blessed and the Broadband

Silverlens Galleries, Makati, Manila

Solo Exhibition

2023

Southeast Asian Futures

National Gallery Singapore

Group Exhibition

2022

The Weight of Distance

Finale Art File, San Antonio Village, Manila

Solo Exhibition

2021

New Mythologies of the Pacific

Ayala Museum, Makati City

Group Exhibition · Invited Artist

2015

Liverpool Biennial International Residency

Tate Liverpool, United Kingdom

International Residency · Group Showing

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Private viewings and acquisition inquiries welcome.

Serious inquiries only. Private viewings available upon request.